Literature

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• CONCEPTUAL METAPHORS IN ‘THE DEAD OF WINTER’ BY CHRIS PRIESTLEY

  Nato Peradze

  Pages 16

• EDWARD ALBEE’S RECEPTION IN GEORGIA

  Inga Zhghenti

  pages 17

• MONTAGE OF A GENRE: INTERSECTIONS OF BIOGRAPHY, DOCUMENTARY AND FICTION IN CELEBRITY DOCUMENTARIES

  Keti Antadze-Tamminga

  pages 13

• THE SYMBOLIC MOTIF OF ‘CHILDISH GAMES’ IN ALBEE’S PLAYS THE ZOO STORY AND WHO IS AFRAID OF VIRGINIA WOOLF?

  Eliso Sukhitashvili

  pages 9

• THE CONCEPT OF POWER IN FANTASY LITERATURE Martin, Rowling, Tolkien

  Avtandil Nadareishvili

  pages 8

• THE ISSUE OF EQUIVALENCE OF APHORISM IN THE ENGLISH TRANSLATIONS OF SHOTA RUSTAVELIʼS “THE KNIGHT IN THE PANTHER’S SKIN Using an example of one aphorism

  Mariam Gobianidze

  Pages 11

• THE ISSUE OF TIME IN VIRGINIA WOOLF’S THE WAVES

  Natia Zoidze

  pages 7

• THE MODIFICATION OF HUMAN NATURE IN DYSTOPIAN LITERATURE IN EUROPE AND GEORGIA

  Ekaterine Chumburidze-Shetsiruli

  pages 15

• THE SOCIO-PRAGMATIC FUNCTION OF IRONY ON SOCIAL MEDIA Using examples from Johan Deckman's art pictures on Instagram

  Mari Nikabadze

  pages 14

• TOWARD LEXICAL BUNDLES IN GEORGIAN LEARNER CORPUS OF ENGLISH WITH IMPLICATIONS FOR PEDAGOGIC LEXICOGRAPHY

  Marine Makhatadze

  Pages 22