METAPHOR AND ITS INTERPRETATION PROCESS IN DYSTOPIAN FICTION

Authors

  • Tamar Khvedelidze

DOI:

https://doi.org/10.52340/PUTK.2023.2346-8149.06

Keywords:

metaphor, dystopian narration, dystopian creative metaphor, decoder

Abstract

This paper explores creative metaphors in dystopian narration. In addition, the implementation of a dystopian creative metaphor by an author and its interpretation process by an audience are examined. The empirical data employed for analysis were taken from “The Handmaid’s Tale” by M. Atwood and the comparative method was used to analyze the findings. Theoretical analysis was based on “Pictorial and Multimodal Metaphor” by Forceville (2006), “Metaphor, Simile, Analogy, and the Brain” by Riddel (2016), and "Reading Utopia, Reading Utopian Readers" by Roemer (2003). The goals of the paper are as follows:

  1. To show the significance and role of metaphor in dystopian narration.
  2. To discuss linguistic characteristics of dystopian narration.
  3. To reveal the subcategories of dystopian creative metaphors explored in the study and define the specific characteristics of their creating process, expressive forms, and interpretation features.

The empirical data of this paper embrace the relevant examples from the novel and the TV show.

Full Text (PDF)

Author Biography

Tamar Khvedelidze

Tamar Khvedelidze is a PhD student at Ivane Javakhishvili Tbilisi State University (TSU). She works in the field of stylistics. Her current research interest is studying the transformation and decoding process of multimodal metaphor into visual (film) based on written text. The author works as an English teacher at Tbilisi State University.

References

Butler, C., (1984). Interpretation, Deconstruction and Ideology: An Introduction to some Current Issues in Literary Theory. Oxford University Press

Groeben, N., (1983). The Function of Interpretation in Empirical Science of Literature. Science Direct, (12), 219-238

https://doi.org/10.1016/0304-422X(83)90029-3

Atwood, M., (1985). The Handmaid’s Tale

https://www.goodreads.com/book/show/38447.The_Handmaid_s_Tale

Lepore, J., (2017). A Golden Age for Dystopian Fiction, The New Yorker

https://www.newyorker.com/magazine/2017/06/05/a-golden-age-for-dystopian-fiction

Perin, G., (1974). The Quality of Cultural Tools and Cognitive Development, Human Development (2000) 43 (2): 69–92.

https://doi.org/10.1159/000022661

Riddel, P., (2016). Metaphor, simile, analogy and the brain, Changing English, 23 (4). pp. 362­373.

ISSN 1358­684X doi:

Roemer, K., (2003). Reading Utopia, Reading Utopian Readers, Science Fiction Studies

Vol. 31, No. 3, Soviet Science Fiction: The Thaw and After (Nov., 2004), pp. 421-427

Pinker. S., (1994). The Language Instict, New York: William Morrow, 1994. Pp. 494.

https://escholarship.org/content/qt4g54k3bh/qt4g54k3bh_noSplash_969b6f8b41a463dfa628ad36c63b781e.pdf

Stockwell, P., (2000). Language and Linguistics, Routledge

Park Square, Milton Park, Abingdon, Oxon OX14 4RN

ISBN 978-0-415-41358-9 (hbk)

Forceville, C., (2006). Pictorial and Multimodal Metaphor.

Handbuch Sprache im multimodalen Kontext [The Language in Multimodal Contexts Handbook] (pp.241-260)

Huxley, A., (1963). Culture and the Individual, The Psychedelic Library

http://www.psychedelic-library.org/huxcultr.htm

https://www.merriam-webster.com/

https://www.collinsdictionary.com/dictionary/english

https://www.britannica.com

https://www.hulu.com/series/the-handmaids-tale-565d8976-9d26-4e63-866c-40f8a137ce5f

Published

2023-07-11

How to Cite

Khvedelidze, T. (2023). METAPHOR AND ITS INTERPRETATION PROCESS IN DYSTOPIAN FICTION. Online Journal of Humanities ETAGTSU, (8), pages 10. https://doi.org/10.52340/PUTK.2023.2346-8149.06

Issue

Section

Articles

Categories